June Carey presents us with yet another of the country’s fabled wine regions. The Russian River Valley was settled in the early 1800s by Russian winegrowers who had found their new home along the Northern California coast. The character and soul of the valley’s wine flows from the land and its generations of tender cultivation. A late afternoon’s walk through the vineyard, where special days are toasted with a glass of fine wine, speaks of a place abundant in the simple pleasures of life.
Few artists can depict the larger-than-life romance of Italy with the passion of June Carey. In "Above Florence," we visit the beautiful hills of Impruneta, the Tuscan town located between the valleys of the Greve and the Ema streams, south of Florence. Known as “in pineta” (within the pine woods), Impruneta’s pine forests can still be seen among the olive groves on the surrounding hills. Florence, the unspoiled and fascinating birthplace of the Renaissance, lies in the distance. "Above Florence" is the fifth in June Carey’s “Dona di Natura” series, which explores Italy’s fabled wine country. Others in this series, including "Lost in a View" and "Chianti Estate," are Sold Out at Publisher. Don’t miss this opportunity to discover Italy’s beauty and hidden treasures
June Carey’s first love is the nurtured beauty of the earth. “I’m deeply affected by the terrain that flourishes under human care, where cultivation results in harmony between humanity and the land,” June says. Alexander Valley Winery’s reputation for exceptional grapes is considered among the best in California. Cabernet Sauvignon, Merlot, Zinfandel, Chardonnay, Sauvignon Blanc and Gewurztraminer from Alexander Valley have each earned reputations for their distinctive regional character.
_Amalfi
Coast June Carey
_Greenwich
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_Bask in the warmth of a Mediterranean summer day
along Italy's Amalfi coast. High above coast sits the town of Ravello.
An ancient path winds down from the heights to the town of Minori below.
"When I took this path, I felt like Alice in Wonderland going
down the rabbit hole" tells June Carey, "I would follow along this
broken stone wall, where it winds down underneath the flying buttresses
on the side of the church and down past gardens and vineyards towards
the sea and the village of Minori which is down there at sea level out
of site in the cove. With the thousands of years of cultivating the
land, you can’t tell where a terrace ends and a foundation begins.
Just after the turn of the century, Father St. John O'Sullivan became pastor of the Mission San Juan Capistrano. Both seemed fated to perish from this earth: Father O'Sullivan from tuberculosis, the Mission from the ravages of time. It was the priest's inspiration to restore the Mission to its previous splendor and create throughout it magnificent gardens to rival those of the Alhambra in Spain."I have yet to see a painting or photograph of this section of the main courtyard that does not feature this wonderful pair of bougainvillea vines," says June Carey of Bougainvillea. "It's a terrific image to think of, Father O'Sullivan possibly planting, but certainly nurturing, these beautiful plants to become one of the Mission's most noted centerpieces. Such a passion for the gifts of the land seems to have a power that extends far beyond simple beauty. Father O'Sullivan survived to oversee the Mission's restoration for twenty-three years."
"After the busy harvest time in the Alexander Valley the days get shorter," says artist June Carey, "and the cool, crisp air and autumn rains bring rich color to the vines and the new green grass between the rows. I feel it is a time for the vineyards to show off after a long season of hard work. This area in North Sonoma County is known for its superior Cabernet Sauvignon."
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The character and soul of California begins with the land, an expansive, diverse and verdant landscape blessed with a Mediterranean atmosphere. This magical environmental setting creates the one of the world’s ideal grape growing locations. Nearly half of the wineries in the United States make their home here, and the wine country mystique is an essential ingredient of the California Dream. Spanish missionaries introduced wine growing grapes to the West Coast nearly 350 years ago. Vineyards have been in families for generations and this steady nurturing of the land has created a distinctive personality to California’s wine growing regions that is entirely its own. June Carey portrays this harmony between people and the land as no other. A nurtured landscape can flourish and be as striking as a natural one, and she conveys that with passion and flair. One can feel the rich, warm summer breeze that flows across this golden field as the clouds drift through a blue violet sky. California Wine Country belongs to the extremely popular family of large-scale landscape paintings collectors clamor for: California Home, Alexander Valley Winery and September Gold. Like those, California Wine Country is available as an over-sized, 45” x 34” MasterWork Fine Art Giclee Canvas, but in an exclusive edition of only 25. A more moderately sized and exquisite 28’ x 21” Fine Art Giclee Canvas is available as well. Define your living or dining room’s appearance with that mystical California Wine Country ambiance delivered by this striking June Carey work of art.
Cascade of Light, Emerald Bay, Lake Tahoe June Carey
“I loved the challenge of creating something so large and powerful. Just taking the photographs to use while painting was quite an adventure! I made three trips to photograph the area in record-breaking heat last July. I decided that I wanted to paint early morning light on the falls—and I am not a morning person. I got up at five a.m. to catch the light and it was worth it. In order to get the shot, I held my camera strap between my teeth and climbed out over the boulders of Eagle Falls. I held the camera at arms length and hoped for the best. Just getting to paint this scene was a journey, but the pleasure it brings to everyone (including myself) makes it more than worth it.”
“The full name of the little church is Pieve di Sant'Andrea a Cercina. It is in the community of Sesto Fiorentino, just outside of Florence, Italy,” says June Carey. “To get there, I drove through the tiny village of Serpiolle. The stone walls close in on the street so that cars are expected to honk on the blind corners before going into them. If you are lucky, there is room for one small car. Once through the town, at a deserted intersection was this church with its walled cemetery. Nearby, I saw this woman gathering greens from the field for dinner that night. She is my favorite part of the scene. I try to imagine myself getting older and living the life that she must live there. I would, however, probably be better at painting the scene than living it.” I returned another time and the place looked deserted. The door was open and I went inside with my camera, thinking to grab a few photos. There was a very heavy scent of white lilies and in the dim light, across the barren interior courtyard I saw a table, where the lilies were in a large vase. I snapped one photo, and was ready to fire the next, when suddenly, from a small doorway I didn't know existed, a nun appeared, speaking rapidly and waving a bony finger at me. Although I had no idea what she said, I knew she did not want me to take photos! So much for my love affair with the inside of old churches, I guess one should never assume a place is deserted in Italy.”
Chianti Classico, the place, is as delectable as Chianti Classico, the wine. The first mention of the Chianti region, south of Florence, dates to the latter 13th century. In 1719, the Grand Duke of Tuscany, by ducal decree, established the boundaries of the region in which Chianti wine could be produced. Time and world demand for the product has extended the region beyond the Grand Duke's initial design, generating a debate among purists as to the true borders of Chianti Classico. Regardless, it is the allure and romance of the land that is the soul of both the wine and place. "On my first couple of trips to Italy, I would head south from Florence on Strada del Chianti Classico, the main route into the region," says June Carey. "Each time, I ended up at this ancient farmhouse. I would get off the Strada at different places and meander in different directions, but I would always seem to be delivered to this spot. Florence is so beautiful and so Italian, but once you arrive here you say 'This is it! Chianti Classico!'"
There´s life in everything during Spring. It´s something you take in before you focus on it or truly see it. Trees, still seemingly barren of leaves, take on a pinkish cast as a million tiny buds swell towards bloom. Rivers and streams run full with the Spring melt and yellow grass gives way to brilliant green. The light itself seems cast with a warmer glow, even while the nights may still hold the winter´s chill. June Carey´s Early Spring at Stony Creek embraces that golden moment when we become aware that the change of season is upon us. Life is renewing. This is one of those rare images that causes the smells, sounds and feelings of a time and place to come flooding forth. The whole scene is so familiar and feels so close to home we are certain we have been here. Like Above Slide Ranch or Fall Vineyard, this Fine Art Gilcee captures the essence of a single location so precisely that its allure is universal. Let some of the light of Spring warm your walls all the year through.
"This vine has evolved from the hills of ancient Italy and France to the Northern California wine country. The vines themselves are works of art, either flowing as green ribbons into distant valley vistas or in their twisting close encounters beneath dusty bunches of ripening berries. In a sense, this portrait of my revered grape vines is a still life … but is it? In their guided freedom they are not "still," but rather, they grow. In all their sun-drenched glory, they simply do what they do: reach for the light and air, winding up from the fertile earth to produce the beautiful fruit that makes so much happiness. And so it seems their lives go on forever. Can that be still life?"
Little Old Mission by the Sea, Circa 1940 June Carey
Founded by the Spanish in 1771, the San Carlos Borromeo de Carmelo Mission is the crown jewel of Carmel-by-the-Sea and one of June Carey’s favorite subjects to paint. “I have, over the years, amassed a wonderful collection of reference on the mission from my many trips and research,” says June. “Today, the buildings and their gardens are beautiful, but when you look at photos taken 70 years ago, there was even more magic. The facades weren’t as restored as they are today, so the basilica and out buildings have a bit more of that character you’d expect from structures as old as these. You also had the chance to see more of the buildings then than you can today, especially from some of the most pleasing angles. I am tempted at times, when I visit, to make the request of cutting back some of that lush growth to reveal more of the Mission, but I have a good idea of what the response would be to that!”
“This scene has actually been in the works for several years. I love village scenes and I think this will be the first of many. I hadn’t planned to include the figures or the dog when I began. I added the women because I feel that the people are as beautiful a part of Tuscany as the land and the history. Perso means “lost” and I usually am lost when I’m there! I don’t know where this village is—I hope that I can get lost there again sometime and that I can recognize the place!”
Everyone in Northern California is familiar with
the coastline in Mendocino County. It is cool and moist like Cleone and
Fort Bragg that the region descends upon when it’s hot and dry inland.
It is a romantic place of expansive beaches, rocky headlands and
crashing surf. The more adventurous try to time their visits to the
arrival of storms because the waves can be so huge. “I’ve found that
seascapes are a dream to paint,” confides June Carey. “Because the water
is moving and flowing (unlike a static landscape), I have much more
freedom in how to paint it. I’m not locked into creating details and can
play more with forms and motion. This painting captures MacKerricher
State Park in a rare sunny, albeit misty, morning light.”
"In July and August, wonderful patches of solid gold appear and flourish across the Tuscan countryside," says artist June Carey. "Close inspection reveals vibrant fields of sunflowers basking in the hot sun, bowing rows of big happy faces. Even when their giant heads, heavy with mature seeds, begin to hang from the weight they still seem lighthearted. "Girasole (singular) or girasoli (plural) is Italian for sunflower. Gira means 'turn' and sole means 'sun. People think the flowers actually turn to follow the sun. I have spent time studying this and can say that once the flowers are mostly open, they seem to stay facing primarily east, in Italy and California. "Finally, in 'My Girasoli,' I achieved something I always wished for: to live in a painting! Each year the sunflower crop is alternated, usually with maise. I was sad to learn the field beside the house was not going to be sunflowers last year while I was there. But, Francesco told me that these sunflowers were newly planted just up the road. Francesco has a hugh garden down the road. He and his wife, who live in the apartment above mine. Here he is just returning home for lunch, carrying his hoe. Maria's fresh laundry is hanging on the terrazzo above mine. I am the crazy American artist, running around with my camera, taking photos in the hot sun while every sane Italian is going to rest until the heat subsides."
“This bend in the road is a remote corner of the Alexander Valley,” says artist June Carey. “I go there to escape the congestion of the rest of the world—I don’t want to share the actual location, really! The chickens and geese wander happily through the vines, eating insects they find hiding under leaves and in the grass. The summer days are long, allowing the grapes to mature in their own good time. Tiger lilies and summer grasses support the wobbly arbor that tempts me to wander just a little bit closer.”
"Oil Trees of Chianti" is the fourth image in June’s Dona di Natura series, which focuses on the romance of Italy’s fabled wine country. The Chianti region, considered one of the oldest wine regions in the world, makes some of the highest quality olive oil from trees in its hills. It takes at least 50 years for an olive tree to get into full production making Chianti olive oil some of the rarest in the world.
“Stretching from sunny Southern California to the foggy forests of the North’s ‘Lost Coast’ the renowned Pacific Coast Highway travels through a spectacular, diverse landscape, hundreds of years of human culture, and often, the lack there of. Here is the essence of my coast,” says June Carey. “Californians hold a special reverence for this coastline and its highway. Having come here in my youth, I always marveled at the atmosphere of untamed wilderness, despite the millions of visitors, each destined to ‘get over to the water and enjoy some peace and quiet’. However, if you have ever, for even one winter, relied on any section of this road as a viable thoughfare, you will know that invariably parts of it will rudely slither away into the hungry Pacific, leaving you to find an alternative route. Thus it maintains its beauty and respect.”
Primavera (new life) is the Italian word for spring. It is Maggio (May) in this Tuscan scene, the poppies have begun to bloom and every tree, vine and flower is full of new life. The young artichokes have come up again on their own, among the grasses and fiori (flowers) of spring. The gardener tends the new growth on the vineyards, wearing the traditional leather apron and heavy boots.
“The locals say we have two seasons in California: green and gold,” says artist June Carey. “In the late 1880s northern California became a source for the highest quality grain in the world, especially wheat. This period was known as the ‘Second Gold Rush.’ The grain was harvested and then floated down the rivers and canals on boats to San Francisco and loaded on to huge sailing ships. When the winds came the germ of the wheat and oat grasses spread and mixed with native varieties. In the late spring now, when the rains end, the grasses adapt to the long dry summers by turning brilliant shades of gold. The fields remain this color until the fall rains bring the new green growth. In September, they are a beautiful contrast to the rich dark greens of the native valley oaks and live oaks.” The golden glow of grain highlights the dawning autumn beauty of Carey’s California valley in September Gold.
“When I first set out to create this landscape, I had a much smaller painting in mind,” says June of Song of the Wine Country. “In the area of Sonoma’s Field Stone Winery there is this intricate spread of patchwork greens that extends as far as your eye can see.With each study I created, I found that I still had to stretch the panorama longer and longer and longer to capture the full and differing shades of green you see when you are there. It flows like a lively symphony, meandering playfully and returning always to its melodic theme song—thus the title, Song of the Wine Country.”
“When one has lived a long time in northern California, as I have,” says June Carey, “it is easy to forget or take for granted the exquisite beauty of the California coastline. I had driven to Sonoma to photograph something entirely different, but as I made my way home, driving along the shore, I was astounded by the light on the water and the rough beauty of the rocks. Soon the sun would set and the first pale pink rays were creeping across the sparkling water. It was absolutely magnificent. I wanted to take that image home with me, to hold it in my mind and with this painting I think I have succeeded.”
Spring comes early to the gardens of Mission San Carlos de Borromeo de Carmelo in California. Even now you may see the padres, working to turn the earth and replant. The beauty of an ancient garden is, for all its history, ever-changing.
Primavera, Rosano and Veduta da Firenze (left to right as shown above) “The initial process of creating a painting is most exciting; it’s when I use everything I’ve learned, plus raw inspiration, to compose—always hoping I have discovered my greatest masterpiece,” says artist June Carey. Of this new suite of sketches for Dona di Natura she adds,“The ever changing light of the Tuscan landscape, intertwined with the elusive charm of ancient culture drives my quest to capture it. But one painting never can. Perhaps the richest experience is to see many together, letting the images evolve in your imagination, as they do in mine.”
Part of the magic and fun of working with the Greenwich Workshop family of artists is having the opportunity to see so much of the creative process.We also have that rare pleasure of poking around an artist’s studio. It was on one of these “treasure hunts” that we encountered a good number of June Carey’s concept studies. These studies represent the initial moments of artistic inspiration, the birth of a painting.“Any artist will tell you,” says June, “that the most exciting and dynamic part of creating any work of art is when this gleam in the eye or fleeting notion transforms into line, color and form.”We were smitten by the fresh charm and immediacy of these oil studies.What was so apparent in her studio was how their presence complemented these larger works. It is this experience that we have created with Studies of … Wine Country, a suite of Limited Edition Fine Art Giclée Prints. Created on heavyweight fine art artist’s paper, they are a distinctive enhancement to her Fine Art Limited Edition Canvas and Prints, or an affordable entree into collecting the limited edition art of June Carey.
“One evening many years ago, the light was perfect as my artist husband and I set out on a photo adventure,” says artist June Carey. “I drove into the Sea Ranch entrance and down around the bluffs, where we discovered a path. After running along the bluffs with our cameras, in and out of cypress forests and through blackberry bushes, the path opened into a beautiful cove, drenched in the last hour of golden sun. Because of the many recent storms, there was, in the protection of the cove, a wondrous accumulation of driftwood, knocking back and forth like an orchestra of wood percussion instruments as the waves flowed in and out. We climbed down onto the beach and took hundreds of photos. As each wave came and went, the wood was completely rearranged. I have painted this scene several times over the years.”
Tuscany, against the foothills of the Apennine
Mountains sits the small, walled-city of Castiglion Fiorentino. It is in
magical places such as this that the soul of the region resides. It is
here, in the shadow of the ancient stone tower, Il Cassero, that
cultivated fields and Old World charm thrive.
“On the peaceful flatland of the Val di Chio, just below the
city, I climbed out onto the floor of this field of sunflowers,”
reminisces June Carey. They were tall and I wanted to stand among them,
to look up and see the sun glowing through their golden crowns. I made
my way amongst the giant leathery leaves, trying not to step on anyone’s
feet. I was able to see, through the many flowery faces, my beautiful
and ancient Etruscan village silhouetted against the sky, creating the
dramatic background I hoped for in this painting. I wondered if the
Etruscans planted sunflowers here. I didn’t linger, for I know the very
much still-living proprietor tending these flowers could have soon
arrived to question me. As I escaped through the mud, I sensed a
thousand years of culture still thrived in this field.
“These large girasole are just now reaching their full
maturity and are covered with a million buzzing bumble bees. Their heads
are heavy with the seeds and have begun to lean over with the weight.
The petals droop gently down across their giant smiling faces. Too heavy
to follow the sun, the flowers simply remain facing east.”
“Sometimes I park outside the main gate of the city, and walk
up into the busy streets to go to my local post office or shop for a
local wine or book. There is a coffee bar and pizza place just outside
the massive, medieval gate, where old men always sit playing poker,
laughing and talking. The old women are never with them. They are inside
the village walls hanging out the clothes to dry above the narrow
streets, running small shops, buying fresh bread for the day and talking
loudly to each other. Their voices echo noisily within the ancient
stone walls.”
You can brighten any room with happiness of fresh flowers and
the romance of Tuscany. Sunflowers of Castiglion Fiorentino is
available as an oversized MasterWork™ Fine Art Canvas for large spaces
and as a moderately-sized Fine Art Canvas Edition as well. You might not
have a home in Tuscany, but with the art of June Carey you can enjoy
Tuscany in your home!
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The first hint of russet leaves on the vines let us know magic is in the air as fall arrives in the Alexander Valley. The warm days and cool nights have matured the grapes to peak perfection. Over one hundred days ago, they first appeared as flowers on the vines; six weeks back, these grapes were green and hard, now they are soft and red. They are bulging with the perfect balance of sugars and acids. Yesterday was too early, tomorrow will be too late. Today is the day, today is harvest day. In a series, "The Fullness of Time" would nestle between June’s "September Haze" and "Fall Vineyard." Those long since Sold Out at Publisher editions are among collectors most favored and sought-after of her California vineyard works. The long, horizontal format of the painting emphasizes the hand-manicured rows of vines sweeping across the undulating hills. Crisp highlights underscore the brilliance of West Coast sun. At 60” x 23”, the Greenwich Workshop Museum Edition Giclée Canvas captures the you-are-here impact of June’s massive original painting, though only a few are being offered. A 41” x 16” Masterwork Giclée Canvas has been created as well, sized in keeping with the sister editions of "September Haze" and "Fall Vineyard." And, for the first time since 2002, we are making a June Carey painting available in a full-sized paper Giclée edition. "The Fullness of Time" is vintage June Carey and wine country landscape art at its finest. Don’t let this classic pass you by.
With The Harvest, artist June Carey returns to the location of her sell-out fine art edition Lost in a View. Inspired by the hills surrounding Florence and the Castello di Verrazzano Chianti region, the painting marks the warm fall days of the Tuscan grape harvest in late September and early October. Working farmers of all ages, men and women wearing their long aprons, gather at the edge of the field, laughing, talking and sometimes singing. They then go out with great purpose and energy, carrying their red buckets through the seasoned vines which are heavy with deep blue clusters of grapes. Cypress trees surround the ancient walls of the buildings that mark the home of wine cellars since the twelfth century. “I bought one of the red grape harvest buckets to use as a prop in the paintings. At the vineyard, the workers eyed my camera with suspicion and curiosity. I held it up and yelled ‘Artista di California. E' bello!’ They laughed among themselves and went back to the harvest.”
"I researched The Padre's Vineyard for five years," June explains. "I feel a deep connection to the timeless sense of life that still echoes from the historic walls. After collecting many black and white photos and books on the mission's architectural history, I felt brave enough to attempt to recreate a real sense of this peaceful place as it looked before the town swallowed up its walls.This view of Carmel's San Carlos Mission, as it appeared during its renaissance of the early 1900s, imagines the Padre's wine grapes happily tethered on a sunny slope overlooking the mission. "Mission grapes were developed by the Spanish Padres that arrived in the 1700s for mission wine they still grow today.The missions were self sufficient, supporting not only themselves, but their many converts.They grew all their own food, raised livestock and, of course, they needed the Holy Wine!"
In this sumptuous landscape by June Carey, she offers her vision of the grand Italian garden. On a recent trip to Tuscany, June found herself overwhelmed by the magnificent verdant light and was compelled to bring it to you it in her view of these expansive citrus gardens and their lush surroundings. Located in the hills overlooking Florence, this classic villa was built by the Medici family in the 16th century. The architecture of these enchanting gardens are a work of creative genius: the famous fountain of Hercules and Antaeus surrounded by the geometric arrangement of driveways, flower beds, bushes and intricately cut box hedges, blend perfectly with the buildings to complete a scene of unforgettable beauty.
“This is how I remember wine country when I first discovered it,” recalls June Carey. “I couldn’t believe that such a lush and verdant region existed in the hill country between the Central Valley and the coast. There was a pastoral magic in the air. Nearly every twist and turn in the road presented a view that seemed to say, ‘Yes, it’s that’s beautiful here. Don’t you wish this was where you lived?’ “In fact, I lived in Chico, CA with my late husband, the marine artist David Thimgin. He and I would always make painting trips from our home in Chico to the coast via the main highways. One mid-summer day, I was driving back and decided we would go a different route. That decision was one of the best I made in my life, it opened a whole new world to me. “I grew up in farm country back East and never encountered anything like it in the areas of California I had visited. I missed the sense of a personal connection that the small farms and communities had to the land they cultivated. And here, in the Alexander Valley, I discovered it again. Added to all this beauty ¯they were growing grapes for wine!” Vineyard Before the Harvest is a stunning wine country panorama presented as a 48" x 19" MasterWork™ Fine Art Canvas. The edition is set at 45 pieces. Hang this exquisite work of art in your dining room and you’ll be able to savor the brilliance an Alexander Valley summer day, every day, wherever your home may be.
Tankhouses are as romantic a vineyard visage as the rows of grapes themselves. There’s a whimsical charm surrounding the old vineyard tankhouses with their angled walls. Long before piped irrigation, farmers pumped water from shallow wells using a windmillpowered pump that would force the water up into an elevated tank. Gravity would then provide the water pressure necessary to irrigate the fields.The open space under the tank tower was often enclosed to provide either shelter for animals, as a tool-shed or even a spare room.When piped water became available, the tankhouses were no longer needed. Although many of these have been torn down, enough tankhouses still dot the landscape to maintain the flavor and magic of our wine growing past. When choosing subjects for her wine country landscapes, artist June Carey selects vineyards with distinctive regional character or ones that appear to have been cultivated by families for generations. Vineyard Tankhouse was inspired by the vineyards of Alexander Valley and combines a favorite subject of the artist with the low warm light of the end of day.